Category Archives: Gurus/Teachers/Sages

#5239 – Paul Brunton, Meher Baba, James David Parker, Adi Da Samraj

Edited by Jerry Katz

Nonduality Talk Radio Info

Mark Scorelle & Jeff Cox on Paul Brunton | Meher Baba | James David Parker | Adi Da


Jeff Cox and Mark Scorelle will be my guests on Nonduality Talk Radio, Wednesday, July 16, on at 12:30pm EST. We’re going to talk about their journeys to nonduality and mostly about the book they edited, The Short Path to Enlightenment: Instructions for Immediate Awakening, by Paul Brunton. I’ve read the book and it reads so beautifully. This book has been endorsed by Adyashanti and Gangaji. We’ll talk about the long path and short path to enlightenment, short path exercises, stabilizing the awakening, and related topics.

Jeff Cox was the president of Snow Lion Publications for nearly 30 years, specializing in books by the Dalai Lama and Tibetan Buddhism.  Snow Lion is now a part of Shambhala Publications. Since retiring, Jeff now enjoys volunteering for the Paul Brunton Philosophic Foundation, and sharing more time with his wife and partner Christi.

Mark Scorelle has had a lifelong interest in spirituality. He came to the Non-Dual teachings through Eckhart Tolle in 2002. He has edited Advaita: The Truth of Non-Duality by V. Subrahmanya Iyer and the book which is the basis the upcoming interview, The Short Path to Enlightenment: Instructions for Immediate Awakening, by Paul Brunton. Mark has also written some articles such as The Cosmic Vision

Meher Baba


James David Parker I’ll be interviewing James on Nonduality Talk Radio on August 28.

Adi Da Samraj Adi Da was, and even after his death still is, highly controversial, accused of all sorts of abuses to his followers, and mis-directing the best of teachings toward his own form and rigid institution. Yet the best was the best and here is some of it, with some quotes from this talk:

“Humor is the state. Creativity is the action.”

“The true inner happiness is free, so it has the capacity for life.”

“The true form of spiritual life is …. one in which we understand our present activity.”

“Re-cognition is the instrument where an ego and suffering are undone … true process is generated, the selfless fullness of one who lives in God becomes one’s condition. It is not different from one’s activity.”

“He is a process, not a thing, not a spearate one. He can’t find the separate one and he can’t find ‘that’ one either.”

“We imagine … that the self is somehow within.” “God is our condition.”

“The true realization of self is the realization that there is no self, not the finding of one. But it’s also not dismal, void, because when the principle of self is undone, God is realized. We are not lost in voidness, we are eternally found in divinity. And once that is discovered, who cares?”

“This radical enjoyment, that’s what it’s all about.”

Produced and hosted by Jerry Katz
Broadcast on on Wednesdays at 9:30am – 10:30am PST , 12:30pm – 1:30pm EST,  1:30pm – 2:30pm AST (Nova Scotia)
Check the Time Zone Converter to determine your local time.

July 16, 2014 Mark Scorelle, speaking on Paul Brunton
July 23, 2014 Karine Lahaie, with James Traverse
July 30, 2014 Scott Kiloby, with co-host Lynn Fraser
August 6, 2014 Philip Shepherd, author of  New Self, New World: Recovering Our Senses in the 21st Century
August 13, 2014 Steve Ford, author of Walking Awake
August 20, 2014 Dr. Rita M. Gross, author of Religious Diversity What’s the Problem?: Buddhist Advice for Flourishing with Religious Diversity
August 28, 2014 James David Parker, magician, musician, teacher of nonduality.
September 3, 2014 Justin Forrest Miles, therapist, hiphop artist, writer
September 10, 2014 Donnalou Stevens, singer, songwriter, musician, former facilitator of Scott Kiloby’s inquiries.
September 17 To be announced
September 24 To be Announced
October 1 David Newman (Durga Das), kirtan chant artist, sacred singer/songwriter, practioner and educator of Bhakti Yoga, author of The Timebound Traveler  (Non-Duality Press)

#5238 – The Incredible String Band – Anais Nin – Mary Oliver

Edited by Jerry Katz

The Incredible String Band
Anais Nin
Mary Oliver

Mark Hovila from Seattle Nonduality Dialogues posted this lyric and video from…

The Incredible String Band: “Douglas Traherne Harding”

When I was born I had no head
My eye was single and my body was filled with light
And the light that I was, was the light that I saw by
And the light that I saw by, was the light that I was

One light, light that is one though the lamps be many
One light, light that is one though the lamps be many

And many’s the time that I crossed the river
And saw no tollman and I needed no ferryman to cross
And I enjoyed the world aright
For the sea itself floweth
And warm I was and crowned.

One day walking towards the river
I saw a tollman with an angry face
And many’s the time that I passed his tollgate
And I paid no silver and I paid no fee
Rather I did hide my sheep and goats under the bags of oatmeal
And cold I was, no crown did I wear

But if you’re walking down the street
Why don’t you look down to the basement
For sitting very quietly there is a man who has no head
His eye is single and his whole body also is filled with light

One light, light that is one though the lamps be many
One light, light that is one though the lamps be many

And as he sits there, so he will walk all among you
And the streets are his and all the people
And even the temples and the whole world

And many’s the time that he walks to the river
And seeing the tollman and seeing the ferryman
The light within him leaps to greet them
For he sees that their faces are none but his own

One light, light that is one though the lamps be many
One light, light that is one though the lamps be many

You’ll never enjoy the world aright
“Till the sea itself floweth
In your veins till you are clothed
With the heavens and crowned with the stars”

You’ll never enjoy the world aright
“Till the sea itself floweth
In your vein till you are clothed
With the heavens and crowned with the stars”



“Now I know why fairy tales are full of jewels.” Anais Nin’s 1955 LSD Trip Report
Jeremy D. Johnson

photo: Anais Nin

Many know Anais Nin for her breathtaking, erotically charged novels, and who Maria Popova described as “modern history’s most dedicated diarist.” Few know that in 1955, she took LSD and wrote a beautiful and detailed diary entry about it. Today of course, we call it a trip report.

Hat tip to /r/Psychonaut and user veragood over at Reddit, here is the 1955 entry, in full:

I had just read Aldous Huxley’s The Doors of Perception but it did not impress me as much as Gil Henderson’s talk about the visionary effects of LSD. He had participated in an experiment Dr. Oscar Janiger. He painted an American Indian doll before taking LSD and then again after the ingestion of the drug, and the difference between them was astonishing. The first version was rigid and photographic. The second impressionistic, emotional. Gil asked me if I wanted to participate in an experiment because Dr. Janiger was hoping a writer would be more articulate about the experience. There were to be two other subjects there, a biologist from UCLA and another painter. Gil would be my sober pilot, that is, a person who has taken LSD and now stands by to help one and guide one if necessary.

It seemed strange to be coming to a psychiatrist’s office for such an adventure. Dr. Janiger took Gil and me into his private office, which was lined with books and very dark. I had little time to form an impression of him, for he immediately dispensed a number of blue pills, five or eight, I do not remember, with a glass of water. The he conducted us to the waiting room, where the biologist sat already with a pad on his knee, pen in hand.

At first nothing appeared unchanged. But after a while, perhaps twenty minutes, I noticed first of all that the rug was no longer flat and lifeless, but had become a field of stirring and undulating hairs, much like the movement of the sea anemone or a field of wheat in the wind. Then I noticed that doors, walls, and windows were liquefying. All rigidities disappeared. It was as if I had been plunged to the bottom of the sea, and everything had become undulating and wavering. The door knobs were no longer door knobs, they melted and undulated like living serpents. Every object in the room became a living, mobile breathing world. I walked away, into a hallway opening into several small rooms. On the way there was a door leading to the garden. Gil opened it. The dazzle of the sun was blinding, every speck of gold multiplied and magnified. Trees, clouds, lawns heaved and undulated too, the clouds flying at tremendous speed. I ceased looking at the garden because on the plain door now appeared the most delicate Persian designs, flowers, mandalas, patterns in perfect symmetry. As I designed them they produced their matching music. When I drew a long orange line, it emitted its own orange tone. My body was both swimming and flying. I felt gay and at ease and playful.

There was perfect connection between my body and everything that was happening. For example, the colors in the designs gave me pleasure, as well as the music. The singing of mocking birds was multiplied, and became a whole forest of singing birds. My senses were multiplied as if I had a hundred eyes, a hundred ears, a hundred fingertips. The murals which appeared were perfect, they were Oriental, fragile, and complete, but then they became actual Oriental cities, with pagodas, temples, rich Chinese gold and red altars, and Balinese music. The music vibrated through my body as I were one of the instruments and I felt myself becoming a full percussion orchestra, becoming green, blue, orange. The waves of the sounds ran through my hair like a caress. The music ran down my back and came out of my fingertips. I was a cascade of red-blue rainfall, a rainbow. I was small, light, mobile. I could use any method of levitation I wished. I could dissolve, melt, float, soar. Wavelets of light touched the rim of my clothes, phosphorescent radiations.

I could see a new world with my middle eye, a world I had missed before. I caught images behind images, the walls behind the sky, the sky behind the infinite. The walls became fountains, the fountains became arches, the domes skies, the sky a flowering carpet, and all dissolved into pure space. I looked at a slender line curving out into space which disappeared into infinity. I saw a million zeros on this line, curving, shrinking in the distance, and I laughed and said: “Excuse me, I am not a mathematician. How can I measure the infinite?” To Dr. Janiger, who was passing by, I said: “Without being a mathematician I understood the infinite.” He did not seem impressed. I saw his face as a Picasso, with a slight asymmetry. It seemed to me that one of his eyes was larger, and this eye was prying into my experience, and I turned away. Gil was sometimes there, but now I became aware that he was a child, that he had a big round face with a grin.

Now I was standing on the rim of a planet, alone. I could hear the fast rushing sound of the planets rotating in space. Then I was moving among them and I realized a certain skill would be necessary to handle this new means of transportation. The image of myself standing in space and trying to get my “space legs” amused me. I wondered who had been there before me and whether I would return to earth. The solitude distressed me and for the first time, the sense of distance, so I asked Gil very vehemently: “Are you sure that I will find my way back?” Gil answered reasonably: “Of course, I found my way back. I’m here.” He asked if there was anything I wanted, a glass of water or a sandwich. I answered: “I want a pagoda.” And after a while I added: “I realize this is an unreasonable request.”

I returned to my starting point. I was standing in front of an ugly door, but as I looked closer it was not plain or green but it was a Buddhist temple, a Hindu column, a Moroccan ceiling, gold spires being formed and re-formed as if I were watching the hand of a designer at work. I was designing red spirals which unfurled until they formed a rose window or a mandala with edges of radium. As each design was born and arranged itself, it dissolved and the next one followed with confusion. Each form, each line emitted its equivalent in music in perfect accord with the design. An undulating line emitted music in perfect accord with the design. An undulating line emitted a sustaining undulating melody, a circle had corresponding musical notations, diaphanous colors, diaphanous sounds, a pyramid of ascending notes, and vanishing ones left only an echo. The designs were preparatory sketches for entire Oriental cities. I saw the temples of Java, Kashmir, Nepal, Ceylon, Burma, Cambodia, in all the colors of precious stones illumined from within. Then the outer forms of the temples dissolved to reveal the inner chapels and shrines. The reds and golds inside the temples created an intricate musical orchestration like Balinese music. Two sensations began to torment me: one that it was happening too quickly and that I would not be able to remember it, another that I would not be able to tell what I saw, it was too elusive and too overwhelming. The temples grew taller, the music wilder, it became a tidal wave of sounds with gongs and bells predominating. Gold spires emitted a long flute chant. Every line and color was constantly breathing and mutating.

It was then I began to experience difficulties in breathing. I felt immensely cold, and very small in my cape, as if I had undergone an Alice in Wonderland metamorphosis. I told Gil I could not breathe, and he took me to the doctor. The doctor calmed me with his words. I had asked for oxygen. He suggested I lie down and cover myself well. Gil was seated near me, grinning. I asked him if he had had difficulties breathing. I still had the impression that I had been among the planets. I remembered the illustration from Saint-Exupery’s Little Prince, the child standing all alone on the edge of the planet. I lay down and covered myself. I looked at the curtains of the room and they turned to a gauzy gold. The whole room became filled with gold, as if by a strong sun. The walls turned to gold, the bedcover was gold, my whole body was becoming gold, liquid gold, scintillating, warm gold. I was GOLD. It was the most pleasurable sensation I had ever known, like an orgasm. It was the secret of life, the alchemist’s secret of life. From the feeling of intense cold, as if I were chloroformed, of loss of gravity of the legs, and diminution in size, I passed to the sensation of being gold.

Suddenly I was weeping, weeping. I could feel the tears and I saw the handkerchief in my hand. Weeping to the point of dissolution. Why should I be weeping? I could see Gil smiling, and realized the absurdity of weeping when traveling through space. As soon as the concept of absurdity struck me, the comic spirit appeared again. It was another Anaïs, not the one which was lying down weeping, but a small, gay, light Anaïs, very lively, very restless and mobile. The comic spirit of Anaïs was aware of Gil’s predicament: “Poor Gil, you are out with an ordinary weepy female! What a ridiculous thing to spoil a voyage through space by weeping. But before we go on, I want to explain to you why women weep: IT IS THE QUICKEST WAY TO REJOIN THE OCEAN. You liquefy, become fluid, flow back into the ocean where the colors are more beautiful.” The comic spirit of Anaïs shook herself jauntily and said: “Let’s stop this weeping. Everything is more wonderful under water (than in space?). It is alive and it breathes.” Space was lonely, and empty, a vast desert. After the feeling of GOLD I had a feeling of danger. My world is so beautiful, so beautiful, but so fragile. I was pleading for protection of this evanescent beauty. I thought I was the quickest mind alive and the quickest with words, but words cannot catch up with these transformations, metamorphoses. They are beyond words, beyond words. The Oriental cities vanished and the infinite appeared again, but now it was bordered on each side by the celestial gardens of precious stones on silver and gold stems. Temptation not to pursue the infinite, but to enjoy the gardens. Space is definitely without sensuous appeal.

The comic spirit of Anaïs stood aside and laughed at so much Russian-opera extravaganza. But the other Anaïs maintained her pose as a Balinese dancer with legs slightly bent, the tips of the fingers meeting in a symbolic gesture of pleading.

I watched a shoreline of gold waves breaking into solid gold powder and becoming gold foam, and gold hair, shimmering and trembling with gold delights. I felt I could capture the secret of life because the secret of life was metamorphosis and transmutation, but it happened too quickly and was beyond word. Comic spirit of Anaïs mocks words and herself. Ah, I cannot capture the secret of life with WORDS.


The secret of life was BREATH. That was what I always wanted words to do, to BREATHE. Comic spirit of Anaïs rises, shakes herself within her cape, gaily, irresponsibly, surrenders to the mystery of life.

Now I know why fairy tales are full of jewels.
Thanks again to @veragood over at /r/Psychonaut: “LSD Trip Report of the writer Anais Nin, 1955“


Paul Frost posted on Facebook:

The Old Poets of China

by Mary Oliver

Wherever I am, the world comes after me.
It offers me its busyness. It does not believe
that I do not want it. Now I understand
why the old poets of China went so far and high
into the mountains, then crept into the pale mist.


#5235 – Goodbye Highlights, Hello Nonduality Talk Newsletter!

Edited by Jerry Katz

I always sorta had this vision that Gloria, Mark, Dustin, and I would finish issue number 10,000 of the Highlights, we would announce it as our final issue, a big global celebration would follow with the four of us sitting in a convertible waving to our fans, confetti raining upon us: a Mardi Gras of nonduality to acknowledge our tremendous accomplishment!



That ain’t happening.

Continue reading